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Fine Art

Mihail Grecu "Baiatul cu boii"

In this section you may find straightforward, comprehensive information about the development of art from ancient times to the present days. You may find out more about the works of different art genres: in prehistoric times and in the Middle Ages, as well as the contemporary works created in the territory of Moldova today. Step by step, you may learn how early forms of art were developing, about the trends and styles, which distinguish different historic epochs, find out more about the art moves having influence on the process of creation of the different art works today.

With a universal visual language art does not need a “translator”, indeed, with the help of artistic images the ideals and morals of society can be expressed. Fine art is an objective criterion of the level of culture and civilization in the corresponding historical periods.

The Moldavian term “arte plastic” comes from the Greek verb “plasticos and Latin term “ars, which combined in French, and made up the term “arts plastiques.

Originally, in ancient times, this term only related to the sculpture, ceramics and architecture, during the Renaissance the term was used to describe the painting and drawing.

At the end of the XIX century, this expression was applied to all genres of fine art as a specific form of art, the result of which is the creation of works of art, that don’t have utilitarian value, but belong to the spiritual culture, forming a society tastes in the sphere of aesthetics, morality and philosophy at different times.

Settlements of Moldova and Diaspora


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343 locuitori

Poiana este un sat din cadrul comunei Hincăuţi, raionul Edineţ. Satul este situat la o distanţă de 22 km de orașul Edineț și la 22 km de stația de cale ferată Rediul Mare. Conform datelor recensămîntului din anul 2004, populaţia satului constituie 343 de oameni. Satul Poiana a fost întemeiat în anul 1915. La 1 km spre nord de satul Poiana se află parcul Hincăuți, fondat la începutul secolului XX, pe o suprafață de 27 ha.

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